KAZUYUKI YAMADA
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ABOUT ARTIST
山田和幸
1977年生まれ。
私は商業カメラマンです。
自分の中にある枠を取り払って、自由になるために制作を始めました。
普段、形跡や経年を感じるものに目をとめることが多く、
予定調和からはみ出た部分、ズレや歪み、間合いや配置に美と自由を感じます。
要求通りの写真を撮り、綺麗に整える修正作業に飽きて、
写真にダメージを与え、アートブックを作ることから始まり、
ここ1年くらいは、気づけば形や線を中空に並べて遊んでいます。
イメージを紙に落としてしっくりこない時も上書きして作業を進めます。
その残像や手垢が後々、役割を果たす様は、まるで人が経験を積んで生きることに似ていて、
自分がなぜその色や形を選んで、そこに配置するのか、その先にどんな景色が浮かんでくるのか、
なぜそれを心地良いと感じるのか、曖昧で不透明な部分に興味があります。
Born in 1977, I am a commercial photographer.
I started doing photography to break free.
To do so, I intend to remove the limiting frames within myself.
Things that have aged and have a history attract me,
and I find beauty and freedom in distortion and deflection,
and also things that have gone out of pre-established harmony intrigue me.
After getting tired of taking pictures the way
I was told it’ s “supposed to” be, I started intentionally damaging my work.
I made a collection of them and that became one of my art books.
Today I see myself playing around with lines and shapes in the air freely.
When I don’ t like it after placing the image on a piece of paper,
I just keep adding and adding and go forward.
The fact that image lags and stains play a great roll is quite similar to the way us humans live by our experiences.
What gives me pleasure is wondering why I choose these colours,
the shapes, the locations and what kind of scene I can create after placing them,
and also wondering why it makes you feel so good....
these things that are ambiguous and unclear.
1977年生まれ。
私は商業カメラマンです。
自分の中にある枠を取り払って、自由になるために制作を始めました。
普段、形跡や経年を感じるものに目をとめることが多く、
予定調和からはみ出た部分、ズレや歪み、間合いや配置に美と自由を感じます。
要求通りの写真を撮り、綺麗に整える修正作業に飽きて、
写真にダメージを与え、アートブックを作ることから始まり、
ここ1年くらいは、気づけば形や線を中空に並べて遊んでいます。
イメージを紙に落としてしっくりこない時も上書きして作業を進めます。
その残像や手垢が後々、役割を果たす様は、まるで人が経験を積んで生きることに似ていて、
自分がなぜその色や形を選んで、そこに配置するのか、その先にどんな景色が浮かんでくるのか、
なぜそれを心地良いと感じるのか、曖昧で不透明な部分に興味があります。
Born in 1977, I am a commercial photographer.
I started doing photography to break free.
To do so, I intend to remove the limiting frames within myself.
Things that have aged and have a history attract me,
and I find beauty and freedom in distortion and deflection,
and also things that have gone out of pre-established harmony intrigue me.
After getting tired of taking pictures the way
I was told it’ s “supposed to” be, I started intentionally damaging my work.
I made a collection of them and that became one of my art books.
Today I see myself playing around with lines and shapes in the air freely.
When I don’ t like it after placing the image on a piece of paper,
I just keep adding and adding and go forward.
The fact that image lags and stains play a great roll is quite similar to the way us humans live by our experiences.
What gives me pleasure is wondering why I choose these colours,
the shapes, the locations and what kind of scene I can create after placing them,
and also wondering why it makes you feel so good....
these things that are ambiguous and unclear.